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Damião de Medeiros, Pilar

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  • Porque odiamos? A exclusĆ£o do Ā«OutroĀ» em tempos de crise
    Publication . Medeiros, Pilar Damião
    Neste artigo, intitulado Porque odiamos? A exclusĆ£o do ā€œOutroā€ em tempos de crise, pretendemos analisar atĆ© que ponto as intensas hostilidades e aversƵes tendem a acentuar numa sociedade agora global, nĆ£o obstante profundamente marcada por uma variedade de tensƵes Ć©tnicas, culturais e religiosas. O ressurgi¬mento da retórica de direita e dos nacionalismos desencadeados por uma cultura do medo, a crescente xenofobia instigada pelo ódio ao ā€œOutroā€ e a quase ininterrupta presenƧa do terrorismo nĆ£o só violam os mais bĆ”sicos Direitos Humanos, como nos fazem recordar o indizĆ­vel horror, crueldade e barbĆ”rie humana praticada ao longo do sĆ©culo XX, que ainda permeia a nossa memória coletiva – as duas Grandes Guerras, o Holocausto, o massacre dos ArmĆ©nios pelos Turcos, os Gulags, o massacre de Nanking, o conflito no Vietnam, o genocĆ­dio de Ruanda, a Guerra nos BalcĆ£s, entre outros. […].
  • Medo : o novo mal-estar da humanidade
    Publication . Medeiros, Pilar Damião; Fontes, Paulo Vitorino
    Incerteza, insegurança e vulnerabilidade tornaram-se lugares comuns nas sociedades contemporâneas. Este artigo pretende uma reflexão interdisciplinar sobre a construção social e política do medo na modernidade líquida. Zygmunt Bauman, Leonidas Donskis, Martha Nussbaum, Hannah Arendt, Ulrich Beck, Boaventura de Sousa Santos, Bernard Henry-Levy e Umberto Eco são alguns dos autores que iremos colocar em diÔlogo para melhor compreender as múltiplas narrativas do medo numa era profundamente marcada pela destruição das certezas sociais, pelo agravamento das desigualdades sociais, pelas lógicas de um capitalismo predador, pelo ressurgimento de nacionalismos de exclusão, bem como de particularismos étnico-culturais, que se movem a partir de discursos xenófobos e racistas e, por fim, pelos novos riscos, como a degradação ecológica e como a pandemia COVID19, que atualmente assola as sociedades contemporâneas e domestica os comportamentos sociais.
  • Os Anos Trump : o Mundo em Transe, de Eduardo P. Ferreira
    Publication . Medeiros, Pilar Damião
    Em Os Anos Trump: O Mundo em Transe, Eduardo Paz Ferreira convida-nos a refletir criticamente sobre a desumanidade dissolvente e a estranheza do nosso modus vivendi, agora temperado pela ação de um protagonista que mais parece ter saĆ­do de uma peƧa do teatro do absurdo: Donald Trump. Pese embora ter a realidade norte-americana como principal objeto de anĆ”lise, o autor destaca, por um lado, os efeitos nefastos do impulso impessoal do neoliberalismo encabeƧado pelo ā€œHomem de Davosā€, e, por outro, condena o regresso aos populismos Ć©tnico-culturais tribalistas, aos autoritarismos, aos ódios nacionalistas e racistas, que ressoam aos velhos tambores das reivindicaƧƵes territoriais. Eduardo Paz Ferreira denuncia a crescente indiferenƧa moral das consciĆŖncias entorpecidas que se alimentam abundantemente de um ethos infantil da cultura fun, e desconstrói quadros de narrativa suportados pela atual hipersimplificação polĆ­tica e mediĆ”tica. AtravĆ©s do seu saber enciclopĆ©dico, da sua eloquĆŖncia crĆ­tica e do seu agudo sentido analĆ­tico, Paz Ferreira alerta-nos para os perigos de uma caixa de Pandora que se abriu e ameaƧa a sobrevivĆŖncia da humanidade. Bem sabe que o status quo nĆ£o Ć© uma solução viĆ”vel. Ou o alteramos e melhoramos ou destruĆ­mo-lo. […].
  • Creative tourism on islands : a review of the literature
    Publication . Baixinho, Alexandra; Santos, Carlos; Couto, Gualter; Albergaria, Isabel Soares de; Silva, Leonor Sampaio da; Medeiros, Pilar Damião; Simas, Rosa Neves
    In the last two decades, creative tourism has evolved as a burgeoning field, encompassing a wide range of concepts and practices, in di_erent places around the world. From the very beginning, however, creative tourism has aimed to contribute to sustainable development and increased community wellbeing, as an alternative to mass cultural tourism. With this review article, our main objective is to identify and analyze a body of literature that specifically addresses creative tourism in islands, contributing to fill a gap in the knowledge since no reviews with this focus have yet been undertaken. Our aim is to provide a critical overview of creative tourism experiences at island destinations worldwide, addressing the plurality of empirical contexts and methodological approaches found in academic research. This review highlights the key trends in creative tourism, pointing out two distinct approaches: creative tourism in urban contexts, based on creative events, ā€œcultural clustersā€ or Cultural and Creative Industries (CCIs), versus community-focused small-scale tourism experiences in rural contexts. This paper also provides an opportunity to assess the evolution of sustainable creative tourism approaches in islands.
  • Analyzing Pilot Projects of Creative Tourism in an Ultra-Peripheral Region : Which guidelines can be extracted for sustainable regional development?
    Publication . Santos, Carlos; Couto, Gualter; Albergaria, Isabel Soares de; Silva, Leonor Sampaio da; Medeiros, Pilar Damião; Simas, Rosa Neves; Castanho, Rui Alexandre
    Several authors have shown that some tourism typologies - i.e., rural tourism, nature-based tourism, or creative tourism - have a more predominant role in attaining regional sustainability. In this regard, this paper explores the impacts of five pilot projects of creative tourism on the sustainable development of the insular Autonomous Region of the Azores. Through direct exploratory tools, such as interviews and site analyses, the present study enabled us to provide greater insight into creative tourism projects and their relevance to the development of an ultra-peripheral island region. As part of the CREATOUR AZORES Project, this study is based on five creative tourism pilot projects operating in the Azores, Portugal. As such, it is recommended that the regional government, local authorities, and other relevant actors and players in this region actively support and create strategies to strengthen these projects (and similar initiatives) once they not only contribute to regional development and destination promotion but also promote much-desired sustainable development - once these kinds of tourism, in theory, and practice, counteract the dire effects of mass tourism.
  • Clara Ferreira Alves : O jornalismo engagĆ© na era lĆ­quida
    Publication . Medeiros, Pilar Damião
    Este ensaio pretende uma anÔlise sociológica sobre o compromisso público da intelectual Portuguesa Clara Ferreira Alves [CFA]. Após uma breve resenha em torno da vasta bibliografia que se debruça sobre a relevância do papel, bem como as múltiplas representações dos intelectuais desde finais do século XIX, iremos abordar de que forma a criatividade literÔria, o jornalismo crítico e a persuasão retórica de CFA, ancoradas por um sólido capital cultural, despertam uma profunda reflexão sobre a complexidade social da nossa modernidade líquida.
  • Como Salvar um Mundo Doente, de Eduardo Paz Ferreira
    Publication . Medeiros, Pilar Damião
    […]. Como Salvar um Mundo Doente retrata um mundo que, mesmo antes da chegada do vĆ­rus, jĆ” apresentava sintomas de profunda debilidade moral manifestada na inanidade, no carĆ”ter obsceno do desprendimento, do enfraquecimento das responsabilidades e na frivolidade perante as narrativas de sofrimento dos ā€œoutrosā€. Enquanto enuncia as consequĆŖncias danosas que jĆ” se vinham alastrando nos diversos domĆ­nios da sociedade, nomeadamente nos campos económico, social e polĆ­tico, fruto de uma ā€œglobalização negativaā€ (Z. Bauman), Eduardo Paz Ferreira apresenta tambĆ©m propostas concretas para uma sociedade mais justa, solidĆ”ria, sustentĆ”vel e democrĆ”tica. […].
  • Erik Erikson on Negative Identity & Pseudospeciation : Extended and Particularized by Ta-Nehisi Coates
    Publication . Friedman, Lawrence J.; Medeiros, Pilar Damião
    One can feel challenged in this chilling time when sundry variations of ultra-nationalism have become quite discernable in the USA, Europe, the Middle East, and parts of Africa. They have often taken the form of a rhetoric of fear and hatred toward ā€œundesirables.ā€ In this time of trouble in an increasingly nuclearized world, it is well to turn to Erik Erikson. His related concepts of ā€œnegative identityā€ and ā€œpseudospeciationā€ need to be addressed more fully than they have in recent decades. Much is to be gained by both academic discussion and public debate over these two Erikson concepts. They signal elements in his ā€œWay of Looking at Things.ā€ More immediately, they help us address the crude and dangerous ultra-nationalisms of our time. Sensitive to the intimate relationship between the inner self and the outer social circumstances, Erikson, began in the mid and late 1940s to shape his most central concept - identity formation. It is well to refresh ourselves on the qualities he assigned to identity, for without that recall, one can hardly come to grips with his concepts of ā€œuniversal Specieshoodā€ and ā€œpseudospeciationā€, both of which emerged from it. In Childhood and Society [1], perhaps his most innovative book, Erikson displayed a marked cross-cultural perspective, comparing psychological development in several countries and cultures. While ā€œofficiallyā€ pledging fealty to Freudian psychoanalysis, Erikson was more attentive than Freud had been to ways the social circumstances of a society impacted the inner psyches of its members. Most importantly, Childhood and Society introduced the concept of an eight-stage human life cycle that was anchored in a struggle to garner and sustain personal identity. There is profit in recognizing here that Erikson’s concept of identity was initially formulated more than three decades before in his still unpublished ā€œManuscript von Erik.ā€ It is the story of his Wanderschaft amidst a troubled adolescence. Identity was characterized in this narrative as a personal sense of sameness and historical continuity through which life seemed to cohere1. The ā€œManuscriptā€ captured young Erik’s thoughts and tensions at the time. Identity was cast within what later came to be called the stages of the human life cycle. Indeed, it became central to these stages. The life cycle involved a person moving toward and sustaining a viable sense of identity. Long before he had even heard of Freud, the ā€œManuscript von Erikā€ essentially represented the beginning of an intellectual process that left us with Childhood and Society. The initial ā€œManuscriptā€ centered on a tension between one’s inner subconscious drives and the needs of society, and this became the essence of his premier book. It is no service to scholarship that ā€œManuscript von Erikā€ has never been published and made readily available to scholars. Each of the eight stages in Erikson’s delineation of the human life cycle is to be construed as a polarity-a positive and hopeful disposition counterpointed by a pole that reduced the vibrancy of everyday existence. The first stage underscored the pole of trust that (hopefully) overshadowed the opposite pole mistrust [2]. The next stage, infancy, featured the polarity of autonomy on the one hand and shame on the other. There followed ā€œinitiativeā€ vs. ā€œguiltā€, ā€œindustry over a sense of inferiority, the all-important quality of ā€œidentityā€ over ā€œrole diffusionā€ during adolescence, ā€œintimacyā€ rather than ā€œisolationā€ in young adulthood, ā€œgenerativityā€ over ā€œself-absorptionā€ during midlife, and finally a sense of ā€œintegrityā€ over ā€œdespairā€ in old age. [Introduction]
  • Sustainable creative tourism on islands and the pandemic: The Creatour Azores project
    Publication . Baixinho, Alexandra; Santos, Carlos; Couto, Gualter; Albergaria, Isabel Soares de; Silva, Leonor Sampaio da; Medeiros, Pilar Damião; Simas, Rosa Neves
    As the impact of the COVID-19 pandemic was felt worldwide, the tourism sector was forced to seek ways of reinventing itself. Two decades prior to this crisis, in varied rural areas and island contexts, small-scale, community-based creative tourism had appeared as a sustainable place-making solution to foster place vitality, competitive distinctiveness, regenerative development and destination resilience. From an island perspective, this article presents the theoretical framework, methodological approaches, and empirical practices of the Creatour Azores project, which was carried out in the North Atlantic archipelago of the Azores from 2019-2022. Given this timeframe, the investigators and pilot projects that implemented this research-practice project were confronted with the COVID-19 pandemic, which accentuated the isolation and remoteness that tend to characterize islandscapes, especially peripheral islands such as the Azores. At the same time, however, this devastating global pandemic, which impacted the tourism sector especially, ended up offering unexpected opportunities along with special challenges, seeming to underscore the relevance of studies focused on the isolation and remoteness that characterize islandscapes. After describing the project methodologies and practices, as well as the adjustments adopted due to the pandemic, this article considers future possibilities for creative tourism on islands, in general, and in the Azores.
  • O ideal de autenticidade no pensamento de Charles Taylor
    Publication . Fontes, Paulo Vitorino; Medeiros, Pilar Damião
    A nossa pesquisa considera a Ɖtica da Autenticidade uma obra sĆ­ntese da teoria polĆ­tica de Charles Taylor, a partir da qual realiza uma avaliação crĆ­tica da cultura moderna ocidental e analisa as suas principais maleitas para seguidamente destacar o seu princĆ­pio de vitalidade: a autenticidade. A autenticidade foi, ao longo da história ocidental, considerada como sendo uma busca individual do eu, baseada numa racionalidade desvinculada, que nĆ£o considerava os horizontes de sentido ou as relaƧƵes com os outros significantes. AtravĆ©s da teoria de Taylor, essa perspetiva mudou: a autenticidade agora Ć© descrita como um ideal moral dialógico, fundamentada no reconhecimento. A contĆ­nua construção da nossa identidade depende das relaƧƵes de reconhecimento, como modo próprio de salvaguardar a existĆŖncia eticamente autĆŖntica.